If you’ve seen Harriet, the new Harriet Tubman biopic, you’d be forgiven for thinking that Harriet was an antebellum James Bond.

After Louis Vuitton prints an image of child predation on a luxury handbag, can we still turn a blind eye to Gauguin’s well-documented history of predation?

Yayoi Kusama’s famous mirrored rooms focuse on the notion of “self-obliteration,” yet self-aggrandizement has become the defining theme of how visitors experience them.

Irena Nakhova’s fighter jet helmet blends satire and state-sanctioned messaging to an indecipherable degree. Is it a monument to Vladimir Putin’s ambitions, or a mockery?